Abstract

The eight papers in this volume play out elaborations of, or variations on, Ingarden's ontological and phenomenological theory of the literary work of art, as presented originally in The Literary Work of Art and The Cognition of the Literary Work of Art. Peter McCormick's introduction gives a helpful thumbnail sketch of the basic contours of the views developed in these two important treatises. Though it was initially framed exclusively for the literary work of art, Ingarden generalized his account in later writings to cover the full range of artistic genres and modes of aesthetic experience.