Abstract

In a series of texts surrounding Specters of Marx, Derrida makes a gesture that seems in contradiction with “deconstruction” and that is apparently closer to a classical phenomenological method. By giving messianicity the status of an irreducible universal structure, these texts give rise to a radicalization and transcendentalization of the temporality of historical messianisms. This article, first, highlights the phenomenological character of this approach and, second, questions its legitimacy in the light of subsequent texts, in which Derrida analyzes the relationship between media and Christianity.