Abstract

The dual character of acclamations, religious and political, makes of acclamations a perfect place to explore theological-political transferences. Acclamations were central in ancient times in order to constitute a community and to show its acceptance, whether they took place in a republic while deciding in assemblies or during the accession of an emperor. The Christian-Church adopted this imperial ceremonial style with the introduction of imperial laudes into the Church and accommodated it to its own needs. Modern times recovered the magic of acclamations in order to give space to the vox populi in the constitution of the political community. The aim of the present article is to explore the centrality of acclamations in religious and political life through three key texts: Kantorowicz’s Laudes regiae, Peterson’s Heis Theos and Schmitt’s Volksentscheid und Volksbegehren. These texts are interrelated and could be considered a particular case of a broad hidden dialogue between these three authors. The theological-political character and evolution of the practice of acclamations in the West coming from the East shows that the line that divided the sacred from the secular has been always far from fixed, and was instead subject to fluctuation, pressures from every side, and constant renegotiation.