Abstract

In recent years, discussion on evil as a philosophical problem has increased. However, there is a tendency to see this problem from an aesthetic point of view, to frame it in theodicy's plot, or even to suggest silence in front of those extreme forms of evil that are linked to specific episodes, such as totalitarianism or ethnic cleansing. This review article focuses on María Pía Lara's development of a postmetaphysical theory of evil in her book Narrating Evil. The main purpose of Lara's theoretical effort is to show that critical recovery of historical episodes that have become paradigms of evil for us, has a narrative texture and intends to generate a discussion in the present time about the ways we can give reality to an idea of democratic justice, in the context of what Jürgen Habermas has called secular and postmetaphysical societies. Thus, learning from catastrophes — the term coined by Habermas and redefined by Lara — becomes a tool for mastering the past, but also constitutes a narrative device that allows us a critical approach to our present political reality.