Abstract

The collection provides an analysis of the concept of beauty in the evaluation of experiments. What properties do practicing experimenters value? How have the aesthetic properties of scientific experiments changed over the years? Secondly, the volume looks at the role that aesthetic factors, including negative values such as ugliness, as well as experiences of the sublime and the profound, play in the construction of an experiment and its reception. Thirdly, the chapters provide in-depth historical case studies from the Royal Society, which also allows for a study of the depiction of scientific experiment in artworks, as well as contemporary examples from the LHC and cases of AI-designed experiments. Finally, it offers a exploration of the commonalities between how we learn from experiments on the one hand, and the cognitive value of artworks on the other.