The Flesh of Images, Images of Flesh: Merleau-Ponty Forwarded

Journal of the British Society for Phenomenology 48 (4):360-367 (2017)
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Abstract

The Flesh of Images: Merleau-Ponty Between Painting and Cinema, by Mauro Carbone, is his third book in a body of work interpreting Merleau-Ponty’s ontology of Flesh: The Thinking of the Sensible: M...

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10.1080/00071773.2017.1286737

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Galen A. Johnson
University of Rhode Island

Citations of this work

From Philosophy-Cinema to Philosophy-Screens: Reflections on the Thought of Mauro Carbone.Galen A. Johnson - 2020 - Journal of the British Society for Phenomenology 52 (3):251-257.

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References found in this work

The Visible and the Invisible.B. Falk - 1970 - Philosophical Quarterly 20 (80):278-279.
Merleau-Ponty's Ontology.Steven Laycock - 19992 - Noûs 26 (3):365-368.
Flesh and otherness.Claude Lefort - 1990 - In Galen A. Johnson & Michael Bradley Smith (eds.), Ontology and alterity in Merleau-Ponty. Evanston, Ill.: Northwestern University Press. pp. 3--13.
The Flesh of Images: Merleau-Ponty Between Painting and Cinema.Mauro Carbone (ed.) - 2015 - Albany: State University of New York Press.

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