Abstract

The article seeks to explore the mindset of young émigré poets of the 1920s–1930s, to identify possible ideological influences on the literature and literary criticism of the first wave of Russian emigration and to determine the spiritual origins of the ‘Paris Note.’ Among many other influences on the young émigré poetry (Henri Bergson, Nikolai Berdyaev, Vasily Rozanov, Nikolai Fedorov and others) the influence of Lev Shestov’s philosophy is particularly evident. However, it manifested itself not directly but indirectly, mainly through the Parisian critic Georgy Adamovich, who, unlike young poets, read Shestov carefully and appreciated him very highly. The philosophy of Adamovich’s poetry, which brought to life the phenomenon of the ‘Paris Note,’ had many parallels with Shestov’s thoughts. Hence the unexpected concordance between the central issues and artistic practice of the participants of the ‘Paris Note’ and Existentialism emerging in the 1930s in the literature of France.