Abstract

In this essay, I attempt to use Husserl’s transcendental phenomenology for purposes of describing central features of competition. While not accepting all theoretical aspects of this methodology, I employ its central strategies to see how well it works. In carrying out the phenomenological analysis, I examine noetic and noematic correlates of competitive projects including the factors of plurality, normativity, disputation, temporality, and comparability. I finish by reviewing three forms of pseudo or defective competition. I conclude that eidetic analyses like the one produced in this essay have utility in spite of their significant limitations