Empirical Musicology Review 9 (3-4):208-212 (2014)

Authors
Joel Krueger
University of Exeter
Abstract
I respond to Kersten’s criticism in his article “Music and Cognitive Extension” of my approach to the musically extended emotional mind in Krueger (2014). I specify how we manipulate—and in so doing, integrate with—music when, as active listeners, we become part of a musically extended cognitive system. I also indicate how Kersten’s account might be enriched by paying closer attention to the way that music functions as an environmental artifact for emotion regulation.
Keywords Music Perception  Emotions  Emotion Regulation  Extended Mind  Musical Artifact
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References found in this work BETA

The Extended Mind.Andy Clark & David J. Chalmers - 1998 - Analysis 58 (1):7-19.
Consciousness in Action.Susan L. Hurley - 1998 - Harvard University Press.
The Extended Mind.Richard Menary (ed.) - 2010 - Cambridge, MA, USA: MIT Press.
The Extended Mind.Richard Menary (ed.) - 2010 - Cambridge, MA, USA: MIT Press.

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Citations of this work BETA

Extended Emotions.Joel Krueger & Thomas Szanto - 2016 - Philosophy Compass 11 (12):863-878.
Music as Affective Scaffolding.Joel Krueger - forthcoming - In David Clarke, Ruth Herbert & Eric Clarke (eds.), Music and Consciousness II. Oxford: Oxford University Press.
Musical Worlds and the Extended Mind.Joel Krueger - 2018 - Proceedings of A Body of Knowledge - Embodied Cognition and the Arts Conference CTSA UCI, 8-10 Dec 2016.

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