Abstract

Postmodernism declared the end of all outlines of entity and unity in favor of a play of differences, of otherness and plurality. The end of grands récits, the end of ideology and history, was proclaimed, as well as the death of utopia. But despite all claims to the contrary, utopia today is all but dead. It has only changed its literary shape, dressing up in a different poetological garment now. The dystopian turn in the literary tradition of utopia manifests itself as a genre-paradigmatic transformation but not at all as the end of utopia. The emergence of the critical dystopia in the last decades has revitalized the genre, along with the appearance of the phenomenon of the young adult dystopia and the boom of...