Hypatia 11 (2):141-160 (1996)

Abstract
In this essay, I trace the development of Julia Kristeva's theory and practice of “the subject in procession trial” from her semiotic works of the 1960s to her psychoanalytic writings of the 1970s and 1980s. I read Kristeva's exploration of this “subject in procession trial” as contributing to a postmodern feminist ethics.
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DOI 10.1111/j.1527-2001.1996.tb00668.x
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References found in this work BETA

Powers of Horror: An Essay on Abjection.Julia Kristeva - 1984 - Columbia University Press.
Revolution in Poetic Language.Julia Kristeva - 1984 - Columbia University Press.
Strangers to Ourselves.Julia Kristeva - 1991 - Columbia University Press.
Tales of Love.Julia Kristeva - 1989 - Columbia University Press.

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