: The aim of this essay is to reclaim Kristeva's concept of the semiotic chora by re-inscribing it as an intervention in the context of two important postmodern debates. The first debate relates to the philosophical problem of "the beginning before the Beginning." The second concerns the necessity and possibility of mediation between incommensurable entities: the "demonic" and the social, desire and the Law, material production and representation. I contend: (1) that the introduction of the chora in RPL is part (...) of Kristeva's effort to restore the legacy of a materialist economy of the beginning, as this is glimpsed in Plato's Timaeus from which Kristeva borrows her controversial term; and (2) that the chora constitutes an attempt on Kristeva's part to explore a third space of ambiguous relationality in the context of which our transcendence to the "demonic" lies less "beyond us" than "in-between.". (shrink)

The aim of this essay is to reclaim Kristeva's concept of the semiotic chora by reinscribing it as an intervention in the context of two important postmodern debates. The first debate relates to the philosophical problem of "the beginning before the Beginning." The second concerns the necessity and possibility of mediation between incommensurable entities: the "demonic" and the social, desire and the Law, material production and representation. I contend: (1) that the introduction of the chora in RPL is part of (...) Kristeva's effort to restore the legacy of a materialist economy of the beginning, as this is glimpsed in Plato's Timaeus from which Kristeva borrows her controversial term; and (2) that the chora constitutes an attempt on Kristeva's part to explore a third space of ambiguous relationality in the context of which our transcendence to the "demonic" lies less "beyond us" than "in-between.". (shrink)

The aim of this essay is to reclaim Kristeva's concept of the semiotic chora by reinscribing it as an intervention in the context of two important postmodern debates. The first debate relates to the philosophical problem of "the beginning before the Beginning." The second concerns the necessity and possibility of mediation between incommensurable entities: the "demonic" and the social, desire and the Law, material production and representation. I contend: that the introduction of the chora in RPL is part of Kristeva's (...) effort to restore the legacy of a materialist economy of the beginning, as this is glimpsed in Plato's Timaeus from which Kristeva borrows her controversial term; and that the chora constitutes an attempt on Kristeva's part to explore a third space of ambiguous relationality in the context of which our transcendence to the "demonic" lies less "beyond us" than "in-between.". (shrink)

The aim of this essay is to reclaim Kristeva's concept of the semiotic chora by re-inscribing it as an intervention in the context of two important postmodern debates. The first debate relates to the philosophical problem of “the beginning before the Beginning.” The second concerns the necessity and possibility of mediation between incommensurable entities: the “demonic” and the social, desire and the Law, material production and representation. I contend: that the introduction of the chora in RPL is part of Kristeva's (...) effort to restore the legacy of a materialist economy of the beginning, as this is glimpsed in Plato's Timaeus from which Kristeva borrows her controversial term; and that the chora constitutes an attempt on Kristeva's part to explore a third space of ambiguous relationality in the context of which our transcendence to the “demonic” lies less “beyond us” than “in-between.”. (shrink)

Drawing on Julia Kristeva's amorous dialogue with Therese in Therese, mon amour , her third volume on the powers and limits of psychoanalysis ( La haine et le pardon ), and Cet incroyable besoin de croire , my aim in this essay is to unpack Kristeva's theory of sublimation which, I suggest, Therese helps her elaborate, enrich and complicate. In particular, I focus on Kristeva's foregrounding of the mediating role of language in the sublimatory process and her rethinking of the (...) experience and stakes of sublimation in light of what has been discussed as the central problematic of the baroque: namely, the blurring of the distinction between appearance and reality and the uninhibited celebration of illusion. As I demonstrate, this problematic and Therese's unique response to it are most important for Kristeva since they enable her to raise questions which carry her beyond her previous treatments of sublimation. These questions relate to the amorous source of the imaginary; the dynamic established between idealization and sublimation; the dangers of an unbridled imaginary; the uncomfortable residue of matter and the body; the dialectic between finitude and infinity, unity and multiplicity. (shrink)

Employing the concept of “layering,” this book seeks to rethink our relation to textual tradition against the background of the emergence of digital culture, the increasing spectacularization of psychic as well as social life, the renegotiation of historical thinking and the precarious position of the theoretical humanities within academia.

Employing the concept of “layering,” this book seeks to rethink our relation to textual tradition against the background of the emergence of digital culture, the increasing spectacularization of psychic as well as social life, the renegotiation of historical thinking and the precarious position of the theoretical humanities within academia.

Explores and illuminates Kristeva's profound impact on our understanding of literary modernism.