Critical Review 15 (3-4):435-446 (2003)

Abstract
Abstract Popular film has become a significant venue for meaning?making in modern society. Like religion, film provides models for understanding and behaving within the social world. Like religion, film reinforces this content through emotional resonance. Myths slip under a viewer's intellectual defenses in the non?threatening guise of entertainment. In a mainstream culture skeptical of religion, film presents an alternative mechanism for the transmission and processing of ?religious? ideas and ideals.
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DOI 10.1080/08913810308443592
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References found in this work BETA

Simulacra and Simulation.Jean Baudrillard - 1981 - University of Michigan Press.
Philosophy of the Film: Epistemology, Ontology, Aesthetics.Cynthia Rostankowski - 1989 - Journal of Aesthetics and Art Criticism 47 (4):384-385.

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