The First and Second Person Perspective in History: Or, Why History is ‘Culture Fiction’

In J. Tyler Friedman & Sebastian Luft (eds.), The Philosophy of Ernst Cassirer: A Novel Assessment. Boston: De Gruyter. pp. 341-360 (2015)
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Abstract

Who would hold that history is a dialogue? It sounds somewhat striking to concentrate on the second-person perspective in Cassirer’s account of history, since it is obviously true that the past may somewhat “speak to us”, but that it cannot “speak with us” in a truly dialogical sense. What is here and now contrasts with what is stored away in the past, as two different levels of fluidity. Symbols, as the expressions of past consciousness, are no longer in flux as the present ones are, but need to be actively reconstructed, or revivified by the historian. With Cassirer’s dynamic view on symbolic forms, however, this reconstruction can be understood as a movement from both sides, from the past and from the present.

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History, Freedom, and Normativity in Cassirer.Michael Gregory - 2021 - In Anne Pollok & Luigi Filieri (eds.), The Method of Culture. Bologna, Metropolitan City of Bologna, Italy: pp. 167-192.

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