Abstract

In Black Bodies, White Gazes, George Yancy investigates how the experiences of blacks both come into view and are simultaneously distorted by the racialized gaze of whites. In the process of distortion by whites, often unbeknownst to themselves, they are continually implicated in the oppression of blacks that reflexively reinvests "whiteness as the transcendental norm" (xxiii). Precisely because whiteness is tied to socially embedded historical power and privilege that functions on multiple levels of social life, undoing its ill effects, to borrow from James Baldwin, is an ongoing process of entering "into battle with the historical creation, Oneself, and attempt[ing] to re[-]create oneself according to a ..