Abstract

Ludwig Wittgenstein was deeply embedded in Viennese architectural Modernism, culturally as well as personally. His assimilation in recent historiography to existing trends within the local architectural movement—namely Loos—are based on aesthetic and intellectual simplifications. The simplifications eclipse the distinctive contribution Wittgenstein’s Palais Stonborough makes to architecture, to Viennese Modernism, and perhaps to philosophy. The present paper seeks to rectify this constellation by re-situating Wittgenstein as an architect in his own right by re-sensitizing us to the idiosyncrasy of Wittgenstein’s architecture.