Music Improvisation Is Characterized by Increase EEG Spectral Power in Prefrontal and Perceptual Motor Cortical Sources and Can be Reliably Classified From Non-improvisatory Performance
Frontiers in Human Neuroscience 13 (2019)
Abstract
This article has no associated abstract. (fix it)DOI
10.3389/fnhum.2019.00435
My notes
Similar books and articles
Conscious and effortful or effortless and automatic: A practice/performance paradox in motor learning.Flavio T. P. Oliveira & David Goodman - 2004 - Perceptual and Motor Skills 99 (1):315-324.
Motor intentionality and the intentionality of improvisation: a contribution to a phenomenology of musical improvisation.Lucia Angelino - 2018 - Continental Philosophy Review 52 (2):203-224.
Pre-frontal executive committee for perception, working memory, attention, long-term memory, motor control, and thinking: A tutorial review.Bill Faw - 2003 - Consciousness and Cognition 12 (1):83-139.
The Improvisation of Musical Dialogue: A Phenomenology of Music.Bruce Ellis Benson - 2003 - Cambridge University Press.
Improvisation, Performance, Szene: vier Kongressbeiträge und ein Seminarbericht.Barbara Barthelmes & Johannes Fritsch - 1997 - Schott & Company.
Perceptual-motor performance under rotation of the central field.Daniel W. Smothergill, Richard Martin & Herbert L. Pick - 1971 - Journal of Experimental Psychology 87 (1):64.
“What Has Coltrane to Do With Mozart: The Dynamism and Built-in Flexibility of Music”.Cynthia R. Nielsen - 2009 - Expositions 3:57-71.
What catatonia can tell us about “top-down modulation”: A neuropsychiatric hypothesis.Georg Northoff - 2002 - Behavioral and Brain Sciences 25 (5):555-577.
Applications of power functions to perceptual-motor learning.Joseph C. Stevens - 1964 - Journal of Experimental Psychology 68 (6):614.
Motor awareness without perceptual awareness.Helen Johnson & Patrick Haggard - 2005 - Neuropsychologia. Special Issue 43 (2):227-237.
Aesthetic Possibilities of Cinematic Improvisation.David Collins - 2019 - Croatian Journal of Philosophy 19 (2):269-295.
Paganini Does Not Repeat. Musical Improvisation and the Type/Token Ontology.Alessandro Bertinetto - 2012 - Teorema: International Journal of Philosophy 31 (3):105-126.
Jazz Improvisation, the Body, and the Ordinary.William Day - 2002 - Tidskrift För Kulturstudier 5:80-94.
Analytics
Added to PP
2019-12-11
Downloads
2 (#1,401,720)
6 months
1 (#449,844)
2019-12-11
Downloads
2 (#1,401,720)
6 months
1 (#449,844)
Historical graph of downloads
Sorry, there are not enough data points to plot this chart.
References found in this work
The shifting sands of creative thinking: Connections to dual-process theory.Paul T. Sowden, Andrew Pringle & Liane Gabora - 2015 - Thinking and Reasoning 21 (1):40-60.
EEG Frequency Bands in Psychiatric Disorders: A Review of Resting State Studies. [REVIEW]Jennifer J. Newson & Tara C. Thiagarajan - 2019 - Frontiers in Human Neuroscience 12.
Neural correlates of auditory temporal predictions during sensorimotor synchronization.Nadine Pecenka, Annerose Engel & Peter E. Keller - 2013 - Frontiers in Human Neuroscience 7.
Spectral-Spatial Differentiation of Brain Activity During Mental Imagery of Improvisational Music Performance Using MEG.Jared Boasen, Yuya Takeshita, Shinya Kuriki & Koichi Yokosawa - 2018 - Frontiers in Human Neuroscience 12.