Abstract

Pinocchio is, above all, what he is not. His identity is often played to the limit, imagined by himself and everyone he meets along the way. Pinocchio is the name of life that is simultaneously inorganic, human and animal. For this reason, it is the possible name of a radical desertion: to identify at the same time with oneself and with someone other than oneself. One question that can be deduced from The Adventures of Pinocchio is whether such an intelligent machine would like to become “human”? In fact, before Pinocchio becomes a real boy, he does everything that real boys do, including the disobedience to their parents.