Abstract

Drawing on Hegel’s anthropology, this paper reconstructs ‘madness’ as an essential stage in the formation of the subject by developing the dialectical character of madness. This goes along with resituating the negativity of spirit as arising on an intermediary stage between nature and developed spirit as second nature. Hegel determines the freedom of spirit as “absolute negativity”. Madness shows a moment of radical negativity that is not viable as such. The formation of subjectivity is thus threatened by that which makes it possible. The art of spirit is to over-come this form of abstract negativity, though not to lose the radicality of negativity, but to deepen it. ‘Absolute negativity’ is Hegel’s term for this successful sublation and simultaneous deepening of negativity.