Abstract

Peter Jelavich's new study pursues a double agenda: while it examines the role of radio and film in the broader context of cultural politics in Weimar Germany, it at the same time explores the transformation of Alfred Döblin's novel Berlin Alexanderplatz (1929) into a radio play (1930) and then a film (1931). The detailed and intriguing intermedial comparison serves to demonstrate Jelavich's main thesis that the death of the innovative and critical culture of the first German Republic predates the end of the democracy. Challenging the widely shared assumption that only Hitler's rise to power put an end to the…