Abstract

The shared trajectory and thought between the phenomenological hermeneutics of Martin Heidegger and midrashic analysis of Franz Rosenzweig is established with respect to the task of taking up existing “classical” texts such as “The Song of Songs” and “The Ister” as well with respect to the embodied conditions of understanding through language with a view to delineating the motivating factors and the structural guidelines that determine our interpretive activities; specifically, intentional structures that distinguish communicative acts from one another that either brings them into conflict or into fruitful and harmonious communities.