Edward R. Branigan, Point of View in The Cinema: A Theory of Narration and Subjectivity in Classical Film

Journal of Aesthetics and Art Criticism 45 (3):309-311 (1987)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

Reprint years

DOI

10.1111/1540_6245.jaac45.3.0309

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,881

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Narration in the Fiction FilmPoint of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film.Charles O'Brien, David Bordwell & Edward Branigan - 1986 - Substance 15 (3):96.
Point of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film.Edward R. Branigan - 1987 - Journal of Aesthetics and Art Criticism 45 (3):309-312.
Narration in Light: Studies in Cinematic Point of View.Edward Branigan - 1988 - Substance 17 (2):118.
"Point of View in the Cinema": Edward Branigan. [REVIEW]Barry Salt - 1986 - British Journal of Aesthetics 26 (2):185.
Projecting a camera : language-games in film theory.Edward Branigan - 2006 - London: Routledge.
Film theory: rational reconstructions.Warren Buckland - 2012 - New York, NY: Routledge.
Sound, Epistemology, Film.Edward Branigan - 1997 - In Richard Allen & Murray Smith (eds.), Film theory and philosophy. New York: Oxford University Press.
The Cinematic Point of View: Thinking Film with Merleau-Ponty.Orna Raviv - 2016 - Studia Phaenomenologica 16:163-183.
The symbolic, the sublime, and Slavoj Žižek's theory of film.Matthew Flisfeder - 2012 - New York: Palgrave-Macmillan.
Diegesis and Authorship in Film.Edward Branigan - 1986 - Iris 7:37-54.
Sound and epistemology in film.Edward Branigan - 1989 - Journal of Aesthetics and Art Criticism 47 (4):311-324.
Le plan subjectif réversible: Sur le point de vue au cinéma à partir des écrits de Merleau-Ponty.Anna Caterina Dalmasso - 2016 - Studia Phaenomenologica 16:135-162.
Edward Branigan Tracking Color in Cinema and Art: Philosophy and Aesthetics. New York: Routledge, 2018. 344 pp. [REVIEW]Jordan Schonig - 2021 - Critical Inquiry 47 (2):418-420.
Philosophy of Film and Motion Pictures: An Anthology.Noël Carroll & Jinhee Choi (eds.) - 2009 - Wiley-Blackwell.
Motion(less) Pictures: The Cinema of Stasis.J. Remes - 2012 - British Journal of Aesthetics 52 (3):257-270.

Analytics

Added to PP
2020-12-30

Downloads
10 (#1,193,888)

6 months
4 (#790,394)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Frank P. Tomasulo
University of California, Los Angeles (PhD)

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references