Abstract

Dear Harriet Monroe:—Your recent issue of Poetry is quite interesting. The first poem of that young Italian chap is very good, the rest—unsuccessful. You are certainly the clearinghouse for a lot of mediocre stuff—so you should be: very democratic—keep up the good work. Yours,Williams This is William Carlos Williams writing to the editor of Poetry magazine on March 12, 1918.1 We know who the young Italian chap is: Emanuel Carnevali, age twenty, who had just made his debut in Monroe’s magazine with a six-page group of poems, “The Splendid Commonplace.”2 Less clear, perhaps, is what Williams means by “the rest” —the “unsuccessful,” “mediocre stuff.” “The Splendid Commonplace” consists of six...