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Technique and enlightenment: limits of instrumental reason

Washington, D.C.: University Press of America (1984)

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  1. Critical Theory of Digital Media.Ian Angus - 2017 - Foundations of Science 22 (2):443-446.
    Recalling the phenomenological and Hegelian bases of the critique of misplaced concreteness, and supplementing these by the contribution of Gregory Bateson, it is possible to say that a contemporary critique of digital media cannot appeal to an irrevocable concreteness nor finally defeat abstraction. Since the digital media complex is characterized by temporal decay, transversality, and singularity, a new departure for a critical theory of digital media must centre on the cultural unconscious and the limit, or edge, of the cultural complex.
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  • Critique of Reason and the Theory of Value: Groundwork of a Phenomenological Marxism.Ian Angus - 2017 - Husserl Studies 33 (1):63-80.
    There are three steps in my description of the ground-problem of value: First, Husserl’s analysis of the crisis of reason is based on the systematic loss and phenomenological recovery of the intuitive evidence of the lifeworld. But if letter symbols are essential to formalizing abstraction, as Klein’s de-sedimentation of Vieta’s institution of modern algebra shows, then the ultimate substrates upon which formalization rests cannot be “individuals” in Husserl’s sense. The consequence of the essentiality of the letter symbols to formalization is (...)
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  • A blank sheet of paper: The phenomenological foundation of comparative media theory. [REVIEW]Ian Angus - 1994 - Human Studies 17 (1):9 - 22.
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