Abstract

In this paper, we would like to illustrate how the conception of a third genre, “artidesign”, can represent: 1) The relationship between the cultural and conceptual contribution of craftsmanship and the consequent aesthetic and phenomenological implications of the size of the workforce in the three thematic areas of art, craftsmanship and design. 2) It should be a real system that is becoming concrete through the logic of design, production and consumption.