Abstract

This article traces Aimé Césaire’s engagement with Marxism through the concept of alienation, which is central to the Marxist-Hegelian tradition. The idea of restoring human creative powers, which take on an alien character under particular historical conditions, deeply shaped Césaire’s analysis of French colonial assimilation, which compelled the Black colonized subjects to identify with French bourgeois culture instead of taking revolutionary action against capitalism. Situating Césaire within the intellectual milieu of interwar Paris, this piece draws out his links with the Marxist intellectual group called the Philosophies, which first published Marx’s 1844 Manuscripts in France in 1929, and with Alexandre Kojѐve’s Marxian reading of Hegel. The concern with alienation would persist in Césaire’s later writings in the 1950s and the 1960s, where the concept is engaged through a theory of culture, defined as the creative life of a collectivity. This theory supplies the conceptual basis for Césaire’s idea of “tropical Marxism,” which he discusses during his trip to Cuba in 1968. Tropical Marxism emphasized the necessity for colonized peoples to integrate Marxism creatively to the particular conditions of their societies and opposed any alien top-down impositions of the doctrine by European communists. By situating Césaire in a Marxist-Hegelian intellectual genealogy, we glean a crucial component of his thinking, going beyond his affiliation with surrealism and his experience with the French Communist Party. We also come to see alienation as a rich concept belonging to the tradition of anticolonial political theorizing.