Abstract

In this paper I present an exemplar of interpretive writing based on my engagement with the movie, My Life as a Dog. The film is a series of vignettes about Ingemar, a young boy, who is processing the events which arise from the difficulties wrought by his mother’s illness. This is not the typical coming of age film where the child becomes an adult through the initiation into life’s painful circumstances. The film ends with the character still in his boyhood. Nevertheless, the intermittent voice-over conveys the impression that Ingemar is narrating in retrospect, in a build up to his emergence from a state of innocence to awareness, and acceptance of pain and loss. I attended to the principles of hermeneutic practice outlined by several scholars to frame my understanding of what it means to enter the hermeneutic circle to explore the topic which addressed me: Secrecy.