Abstract

In “Force of Law: The ‘Mystical Foundation of Authority’,” Jacques Derrida argues that the law’s authority is mystical, unattainable in its origins, theforce of law therefore precipitating conditions for its perpetual contest. The force of Derrida’s “Force of Law” is illustrated in his study of Nelson Mandela (“The Laws of Reflection: Nelson Mandela, In Admiration”). Derrida’s Mandela reflects the law’s divisibility, and therefore its iterability in representation beyond the force of its founding letter—of which apartheid was an extreme example. Mandela makes visible the need for the law’s supplement, as performative justice in the face of inherent violence in the law’s conserving force. Mandela’s performativeforce of law, contesting the inaugural violence of law, is inseparable from an implicit warp and weft of historical and theological influences