Abstract

Movements, in the last fifty years, have been bringing knowledge closer to the new knowledge coming from the neurosciences. In this brief essay, we intend to analyze neuropsychoanalysis and neuroaesthetics, as promising areas in these terms. Such an analysis will be based on critical theory, conceptualized mainly by Adorno and Horkheimer, especially considering that “On the path to modern science, men renounced meaning and replaced the concept with the formula, the cause with the rule and probability”. Therefore, in relation to neuropsychoanalysis, its historical and scientific foundations, the international movement that gave rise to the area, its purposes and objections attributed to it will be analyzed. Regarding neuroaesthetics, its emergence, its relations with conceptual art and the neurohistory of art will be presented, as well as possible intrinsic parallels to sensation and experience. Finally, following the objective of the essay, the epistemological critique of these areas will be done through the concepts of Gestell (Heidegger) and Ecosofia (Guattari), as well as supported by Valéry and Teresa D’Ávila.