The analysis of humour
| Abstract | INTRODUCTION Theories of humour are traditionally divided into two classes: superiority or relief theories, and incongruity or ambiguity theories. As their names imply, the former tend to ascribe amusement primarily to a particular attitude of mind, while the latter account for it by describing its objects as having a particular quality. Enjoyment as an attitude is always a response to an object present to the mind or feelings. If, then, enjoyment in amusement is identical with feelings of superiority or relief, its objects must always display characteristics of inferiority or inhibition. But the enjoyment of humour seems to be distinguishable from a reaction to particular kinds of topic, and from any personal relation felt between the subject and the objects of his amusement. Incongruity theories do not explicitly ascribe the enjoyment of humour to a particular range of topics | |||||||||
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David Owen (2011). Must the Tolerant Person Have a Sense of Humour? On the Structure of Tolerance as a Virtue. Critical Review of International Social and Political Philosophy 14 (3):385-403.
Brian Ribeiro (2008). A Distance Theory of Humour. Think 6 (17/18):139-148.
Mike W. Martin (1983). Humour and Aesthetic Enjoyment of Incongruities. British Journal of Aesthetics 23 (1):74-85.
Robert C. Roberts (1988). Humor and the Virtues. Inquiry 31 (2):127 – 149.
Françoise Badelon (forthcoming). Entre Satire Et Humour, Shaftesbury Et le Théâtre Élisabéthain. Revue de Métaphysique Et de Morale.
Ward E. Jones (2009). The King of Pain. The Philosopher's Magazine (47):79-84.
Ward E. Jones (2009). The King of Pain. The Philosopher's Magazine (47):79-84.
Aaron Smuts, Humor. Internet Encyclopedia of Philosophy.
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