Rooting for the Fascists in James Cameron’s Avatar

Film and Philosophy 16:101-120 (2012)
  Copy   BIBTEX

Abstract

Conservative critics have united in attacking James Cameron’s newest blockbuster Avatar for its “liberal” political message. But underneath all of the manifest liberalism of Avatar there is also a latent message. In his valorization of the organic, primal, interconnectedness of Na’vi culture and his denigration of the mechanical, modern, disconnectedness of human culture, Cameron runs very close to advocating a form of fascism. In this paper I describe the overarching philosophical perspective of fascism, and then I draw on the work of Jay Y. Gonen, who, in his book The Roots of Nazi Psychology, has distilled Hitler’s foundational ideological values to nine basic principles. I demonstrate how greatly these principles overlap with the ideals that Cameron attributes to the culture of the Na’vi in his film Avatar.

Similar books and articles

Review of James Cameron's Avatar. [REVIEW]G. Owen Schaefer - 2010 - American Journal of Bioethics 10 (2):68-69.
Avatar vs Mononoke.Alejandra Mancilla - 2011 - Philosophy Now 85:44-46.
My avatar, my self: Virtual harm and attachment.Jessica Wolfendale - 2007 - Ethics and Information Technology 9 (2):111-119.
Justifying metaphysical nihilism: A response to Cameron.David Efird & Tom Stoneham - 2009 - Philosophical Quarterly 59 (234):132-137.
From Night to Day: Nihilism and the Living Dead.John Marmysz - 1996 - Film & Philosophy (Society for the Philosophic Study of the Contemporary Visual Arts) 3:138-143.
Radical Orthodoxy.David B. Burrell - 2004 - Philosophy and Theology 16 (1):73-76.
Fascism, liberalism and revolution.Danilo Breschi - 2012 - European Journal of Political Theory 11 (4):410-425.

Analytics

Added to PP
2012-01-21

Downloads
2,588 (#3,068)

6 months
100 (#43,952)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

John Marmysz
College of Marin

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references