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Filming Fly Eggs: Time-Lapse Cinematography as an Intermedial Practice
Isis 112 (2):307-314 (2021)
Abstract
This essay investigates time-lapse cinematography as a hybrid, intermedial practice. To interrogate practices of authorship, publication, copying, storage, and especially distribution, it recovers the history of The Embryonic Development of Drosophila melanogaster, a film made by Eric Lucey at the University of Edinburgh in 1956. An unusually rich archive makes it possible to recover uses and reuses of time-lapse footage in research, teaching, and other forms of communication.My notes
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Citations of this work
Van Leeuwenhoek – the film: remaking memory in Dutch science cinema 1925– c. 1960.Mieneke te Hennepe - 2023 - British Journal for the History of Science 56 (3):329-349.
‘Not birth, marriage or death, but gastrulation’: the life of a quotation in biology.Nick Hopwood - 2022 - British Journal for the History of Science 55 (1):1-26.
References found in this work
Visual Standards and Disciplinary Change: Normal Plates, Tables and Stages in Embryology.Nick Hopwood - 2005 - History of Science 43 (3):239-303.
Microcinematography and the History of Science and Film.Hannah Landecker - 2006 - Isis 97 (1):121-132.
Model and movement: studying cell movement in early morphogenesis, 1900 to the present.Janina Wellmann - 2018 - History and Philosophy of the Life Sciences 40 (3):59.
Animating embryos: the in toto representation of life.Janina Wellmann - 2017 - British Journal for the History of Science 50 (3):521-535.
Film lessons: early cinema for historians of science.Jesse Olszynko-Gryn - 2016 - British Journal for the History of Science 49 (2):279-286.
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