Begetting the New: The Marrow of Originality as Discovered from the Making of Shakespeare's Romeo and Juliet: Part 2. Creation Demystified

Journal of Aesthetic Education 54 (2):94-112 (2020)
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Abstract

To the memory of my mother ErnaShakespeare saw in the beauty and passion of young hearts "the irradiating glory of sunlight and starlight in a dark world." In contrast to Arthur Brooke, the dramatist shows not the omnipotence of merciless and inexorable fate but an inextinguishable image of "light, every form and manifestation of it: the sun, moon, stars, fire, lightning, the flash of gunpowder, and the reflected light of beauty and of love." All these are opposed to "night, darkness, clouds, rain, mist and smoke."1 And that is not merely a radical turn as compared with Brooke but a breaking of the literary tradition that, until then, did not depict love in such a perspective. Shakespeare proposed, in fact, a...

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