Abstract

This article shows the unity of hume's "a treatise" as a problem; green and smith; contemplation and action; the roles of the author; the ambiguities of nature and fiction; scarcity and vanity. "a treatise" as an experiment in autonomy unmixed with heteronomy ; vindication of the ordinary through flight to the extraordinary; mention and use, Retorsion; arguments from silence and violence against hyperbolic evidence and unruly desire; is discourse compatible with dissolution of its author into free-Floating impressions or with representation of his character as avaricious and vain? aristotle, Hobbes, And kant as foils for interpreting hume