Abstract

The pairing of “whiskey” and “women” may at times be seen as an instance of what I call conspiratorial vices. Conspiratorial vices, I argue, are phenomena that, when working together, inform each other in a way that sets their content. Taken individually, the elements of the conspiracy are, at best, ambiguous with regard to their moral status. The conjoining of the concepts yields the status as “vice” and points to something deemed a threat to the social fabric. Through the use of two cases, I examine possible ways that this instance of conspiratorial vice might be seen as a multifaceted political tool that both contributes to oppression and creates a site for resistance.