Saige Walton (2016) Cinema's Baroque Flesh: Film, Phenomenology and the Art of Entanglement

Film-Philosophy 22 (2):302-305 (2018)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,438

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

The Crypt, the Haunted House, of Cinema.Alan Cholodenko - 2004 - Cultural Studies Review 10 (2):99-113.
L'esprit baroque.Anne-Laure Angoulvent - 1994 - Presses Universitaires de France - PUF.
Nature Screened: An Eco-Film-Phenomenology.Ilan Safit - 2014 - Environmental Philosophy 11 (2):211-235.
Motion(less) Pictures: The Cinema of Stasis.J. Remes - 2012 - British Journal of Aesthetics 52 (3):257-270.
Theories of cinema, 1945-1995.Francesco Casetti - 1999 - Austin: University of Texas Press.

Analytics

Added to PP
2018-06-20

Downloads
25 (#622,868)

6 months
8 (#347,703)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

The Visible and the Invisible: Followed by Working Notes.Maurice Merleau-Ponty - 1968 - Evanston [Ill.]: Northwestern University Press. Edited by Claude Lefort.

Add more references