Computer Composition and Works of Music: Variation on A Theme of Ingarden

Journal of the British Society for Phenomenology 19 (2):141-154 (1988)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

Reprint years

DOI

10.1080/00071773.1988.11007856

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,435

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Computer-generated Music, Authorship, and Work Identity.Maria Elisabeth Reicher - 2015 - Grazer Philosophische Studien 91:107-130.
Problem dzieła muzycznego w myśli estetycznej Romana Ingardena.Magdalena Krasińska - 2013 - Filo-Sofija 13 (20).
Ingarden and the problem of jazz.Bruce Ellis Benson - 1993 - Tijdschrift Voor Filosofie 55 (4):677 - 693.
Pojęcie idealnej granicy w estetyce dzieła muzycznego Romana Ingardena.Małgorzata A. Szyszkowska - 2011 - Aspekty Muzyki 1:203-225.
Virtuelle Instrumente im akustischen Cyberspace: zur musikalischen Ästhetik des digitalen Zeitalters.Michael Harenberg - 2012 - Bielefeld: Transcript.
Roman Ingarden's Problems with Avant-garde Music.Michal Lipták - 2013 - Estetika: The European Journal of Aesthetics 50 (2):187-205.
Unperformable Works and the Ontology of Music.Wesley D. Cray - 2016 - British Journal of Aesthetics 56 (1):67-81.
Chess composition as an art.Miro Brada - manuscript
Performances Compared. Sequential replication of the same music piece on an audiovisual file.Giorgio Armato - 2016 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 9 (1):87-95.
The truth about fiction.Josef Seifert & Barry Smith - 1994 - In Kunst Und Ontologie: Für Roman Ingarden zum 100. Geburtstag. Amsterdam: Rodopi. pp. 97-118.
The Work of Music and the Problem of its Identity.Roman Ingarden - 1986 - University of California Press.
An associative approach to computer-assisted music composition.Kevin Dahan - 2004 - Complexity 50 (5):5.
Formalized music.Iannis Xenakis - 1971 - Bloomington: Indiana University Press.
What do we hear when we hear music?Ruud Welten - 2009 - Studia Phaenomenologica 9:269-286.
Roman Ingarden’s Theory of Causation Revised.Daniel von Wachter - 2010 - Polish Journal of Philosophy 4 (2):182--196.

Analytics

Added to PP
2018-08-16

Downloads
20 (#754,879)

6 months
4 (#790,778)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Peter Simons
Trinity College, Dublin

Citations of this work

Add more citations

References found in this work

Add more references