Symbolic meaning of number four in european spiritual poetry (T. S. Eliot, E. Swartz)

Liberal Arts in Russia 2 (1):49--56 (2013)
  Copy   BIBTEX

Abstract

The article is devoted to the four principle realization in the creative work of two poets, namely the English literature classic T.S. Eliot (1888-1965) and a representative of the Russian poetry Elena Swarz (1948-2010). Number four is a structural principle in their works composition and crucifix of Christ. On the example of the two poets the author shows that on the one hand, the symbol of four is a cosmic transversalism of being and the cross image, on the other. Thus, two contradictory meanings are combined here: harmony and drama as truly Christian forms of dialectics.

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,881

External links

  • This entry has no external links. Add one.
Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

The early T.S. Eliot and western philosophy.Rafey Habib - 1999 - New York: Cambridge University Press.
The eschatology of being and the God of time in Heidegger.Jean Greisch - 1996 - International Journal of Philosophical Studies 4 (1):17 – 42.
T. S. Eliot and the Language of Poetry.C. L. Wrenn - 1957 - Thought: Fordham University Quarterly 32 (2):239-254.
Eliot's Poetry and the Incubus of Shakespeare.James Torrens - 1977 - Thought: Fordham University Quarterly 52 (4):407-421.
The notebooks of Simone Weil.Simone Weil - 1956 - New York: Routledge.
Discourse, Figure.Jean-François Lyotard - 1971 - Minneapolis [Minn.]: University of Minnesota Press.

Analytics

Added to PP
2013-05-17

Downloads
11 (#1,137,779)

6 months
2 (#1,198,900)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references