Abstract

To read the gospels as fiction, as Frank Kermode does in The Genesis of Secrecy , the Charles Eliot Norton lectures delivered at Harvard in 1977–8, does not require the abandonment of all concern for ‘history’ or for ‘truth’, two other fictions which are essential for faith. Nor, In Defence of the Imagination , the title Dame Helen Gardner gave to her Charles Eliot Norton lectures of 1979–80, need apologists for Christianity commit themselves to a wholesale rejection of literary critical methods such as structuralism, as she suggests. There is a middle ground which can accept many of the methods of structuralism and even of post-structuralism without sharing the anti-theological assumptions of some of their practitioners. Structuralist analysis aims for objectivity, a scientific description of the processes at work in the production of meaning, a systematic articulation of the ‘grammar’ of narrative. It is therefore neither for nor against Christianity. Kermode's book, I argue, helps to show how the gospels function as narrative, revealing their capacity to ‘redescribe life’. In recognising their fictive nature, however, we need not consign ourselves with him to ‘endless disappointment’. For the gospels have aregenerating power which can transform our lives