Kant's Musical Antiformalism

Journal of Aesthetics and Art Criticism 78 (2):171-182 (2020)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

Reprint years

DOI

10.1111/jaac.12712

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,438

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Kant on Intuition in Geometry.Emily Carson - 1997 - Canadian Journal of Philosophy 27 (4):489 - 512.
Kant e as analogias musicais.Ubirajara Rancan de Azevedo Marques - 2011 - Revista de Filosofía (Madrid) 36 (2):25-42.
Os tons harmônicos e o “fundamento das representações”. Breve comentário a uma anotação de Kant sobre uma metáfora musical de Eberhard.Ubirajara Rancan de Azevedo Marques - 2015 - Con-Textos Kantianos 2:48-61.
Kivy on Musical Genius.J. O. Young - 2011 - British Journal of Aesthetics 51 (1):1-12.
Musical Perdurantism and the Problem of Intermittent Existence.Alexey Aliyev - 2017 - Grazer Philosophische Studien 94 (1-2):83-100.
On music perception and cognition: Modularity, structure, and processing. [REVIEW]Lelio Camilleri - 1992 - Minds and Machines 2 (4):365-377.
Every Performance Is a Stage: Musical Stage Theory as a Novel Account for the Ontology of Musical Works.Caterina Moruzzi - 2018 - Journal of Aesthetics and Art Criticism 76 (3):341-351.
Piece for the end of time: In defence of musical ontology.Andrew Kania - 2008 - British Journal of Aesthetics 48 (1):65-79.
Piece for the End of Time: In Defence of Musical Ontology: Articles.Andrew Kania - 2008 - British Journal of Aesthetics 48 (1):65-79.
Meta + Hodos: A Phenomenology of 20th Century Musical Materials and an Approach to the Study of Form.James Tenney & Inter-American Institute for Musical Research - 1975 - Inter-American Institute for Musical Research, Tulane University.
Musical Understanding: Theory of Musical Description or Theory of Musical Perception?Russell Thomas Alfonso - 1996 - Dissertation, University of Hawai'i
Defending musical perdurantism.Ben Caplan & Carl Matheson - 2006 - British Journal of Aesthetics 46 (1):59-69.
Meta Meta + Hodos.James Tenney, Robert Ashley, Christopher Mark Nunn & Aesthetic Research Centre of Canada - 1977
Musical Form and Musical Performance.Edward T. Cone - 1968 - W W Norton & Company.
Is a kantian Musical Formalism Possible?Thomas J. Mulherin - 2016 - Journal of Aesthetics and Art Criticism 74 (1):35-46.

Analytics

Added to PP
2020-05-19

Downloads
38 (#412,027)

6 months
15 (#159,740)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

James O. Young
University of Victoria

Citations of this work

What Makes Kant an Aesthetic Cognitivist about Fine Art? A Response to Young.Aviv Reiter - 2021 - Journal of Aesthetics and Art Criticism 79 (1):108-111.
Kant on Form or Design.James O. Young - 2021 - Journal of Aesthetics and Art Criticism 79 (1):112-115.
Kant’s (Moderate) Musical Antiformalism: A Reply to Sousa.James O. Young - 2023 - Journal of Aesthetics and Art Criticism 81 (3):383-386.

View all 6 citations / Add more citations

References found in this work

Introduction to a Philosophy of Music.Peter Kivy - 2004 - Journal of Aesthetics and Art Criticism 62 (3):299-300.
The Ancient and Modern System of the Arts.James O. Young - 2015 - British Journal of Aesthetics 55 (1):1-17.
Kant's Expressive Theory of Music.Samantha Matherne - 2014 - Journal of Aesthetics and Art Criticism 72 (2):129-145.
Feasible aesthetic formalism.Nick Zangwill - 1999 - Noûs 33 (4):610-629.

View all 14 references / Add more references