This essay focuses on the concept of consciousness in C. S. Peirce’s work, revealing how its ways of being are associated with the three Peircean phenomenological categories. In this article, I intend to reflect on the heuristic power of the mind, namely, its ability to bring about new ideas, which, within Peirce’s logic of inquiry, is called by the well-known term of abduction. The abductive logical step promotes a synthesis of signs that constitutes a logical structure capable of proposing a (...) new mediation or representation of a new phenomenon. I make use of a metaphorical passage from Peirce not only to give the title to this essay, but also to highlight the importance of the first category as a sort of synechistic envelopment of an unprecedented logical structure of signs that composes a new synthesis. Two continua intertwine themselves, namely, those of the first and third categories, to account for what appears as a fact of the world in the theater of secondness. The essay also seeks to bring to light the core realism of Peirce’s philosophy, the genetic aspect of this bottomless lake, through its cosmology, where the generalization of forms and the acquisition of habits of reality are the proper ground of his Objective Idealism. One of the heuristic aspect of the lake metaphor is a sort of invitation to extend the concept of synthesis from the realm of logical structures to that one of arts, which in this essay will remain as a suggestion for a further reflection. (shrink)

Is there a poetic ground in Peirce's philosophy? While this question may sound interesting, it is somehow odd, as Peirce is well–known as a logician, and it is also known by scholars that he was not an expert in poetry, literature, art, or even theories concerning art in general. This paper hypothesizes that there is a starting point in his philosophy that is poetical in its nature. Moreover, Peirce's system is obviously logical in its form, but also keeps the spirit (...) of the original silent feeling of poetry that seems to have fascinated him. Also, I claim there is a Schellingian heritage in Peirce's philosophy that is partially responsible for that poetic starting point. This idea also has, as a support, the supposition that a realistic view of the world provides a hypothesis of symmetry between the human and natural worlds, which provides the basic form for his ontological theories and for the theoretical harmony among Peirce's doctrines. This quality of Peirce's philosophy is a kind of a Greek beauty that is only evident for those who can view his thought not in fragments but as a complex system that has the potency of not only answering classical philosophical questions, but also of giving rise to a new philosophy which needs to be further developed. (shrink)

A Estética, uma das ciências normativas da filosofia de Peirce, não tem por objeto o Belo, mas o Admirável, como sabem os estudiosos de sua obra. Contudo, não é imediatamente evidente essa distinção, uma vez que Admirabilidade traz em seu interior o predicado da beleza também. Quais, então, seriam as relações entre ambos esses conceitos? Por que a admirabilidade se credenciaria a ser um fim em si mesma da Estética e se constituir no fim último da Ética? Qual a natureza (...) da experiência estética e como ela pode subsidiar a identificação do que seja o Admirável? Partindo da insistência de que há uma rede de conceitos na filosofia de Peirce, da Fenomenologia à sua Metafísica, que fornece um rico vocabulário para se refletir sobre tais questões, esse ensaio busca mostrar que há na natureza epistemológica do pragmaticismo uma eticidade que embora seja necessária não lhe é suficiente, requerendo-se que a Estética forneça os fins das ações que constituem revelação dos conceitos, à luz das categorias peircianas consideradas estruturantes das relações entre mundos interno e externo, tomados sob uma ótica radicalmente realista. (shrink)

O eixo conceitual deste artigo constitui-se em uma reflexão sobre o realismo de Charles Peirce, buscando mostrá-lo como a base da qual se derivam muitas outras de suas doutrinas filosóficas. Na primeira parte do artigo, são analisados os problemas colocados pelo clássico ensaio peirciano Questões referentes a certas faculdades reivindicadas pelo homem, propondo extrair das consequências dessa análise as diretrizes de um realismo que gradualmente se torna mais radical na obra madura de Peirce. Tais consequências serão consolidadas em sua fenomenologia, (...) uma ciência que fundamentará a semiótica e uma concepção de simetria relacionada às categorias do autor. Essa simetria associada à sua epistemologia e ontologia será, a propósito, onipresente em todo o sistema filosófico peirciano. Na segunda parte do artigo, são discutidos os conceitos de mediação e representação, também sob um viés realista, concluindo que esses conceitos não podem ser coerentemente relacionados nas filosofias nominalistas. Nessas filosofias, encontram-se frequentemente consequências de alguma forma comprometidas com posturas dogmáticas e não dialógicas, se confrontadas com uma análise do significado tal como proposto pelo pragmatismo clássico peirciano. (shrink)

Charles S. Peirce Society 2016 Presidential Address Peirce never could finalize a book or publish it and especially no book on the aesthetic basis of pragmaticism. This is not only a historical note, but has a deeper meaning. It arouses in the attentive reader a strong desire to do what Peirce himself did not have the chance to do: to find a way of linking together his hints and clues in such a way that respects the spirit of his work (...) and not just its letter. This practice of apprehending the spirit is successful, I believe, when, on the one hand, we familiarize ourselves with the author’s text and, on the other, perhaps more importantly, when we initiate this apprehension because the text arouses a feeling of... (shrink)

The conceptual axis of this paper is a reflection on Charles Peirce’s realism, trying to show it as the ground from which many others of his philosophical doctrines are derived. In its first part, the paper analyses the problems posed by the classical Peircean paper Questions Concerning Certain Faculties Claimed for Man, proposing to extract from the consequences of this analysis the guidelines of a realism that gradually become more radical in Peirce’s mature work. Such consequences will be consolidated in (...) his Phenomenology, a science that will ground Semiotics and a conception of symmetry related to Peirce’s categories. This symmetry regarding his epistemology and ontology will be, by the way, omnipresent in all Peircean philosophical system. The second part of the paper discusses the concepts of mediation and representation, also under a realistic background, concluding that these concepts cannot be coherently interlaced in nominalistic philosophies, in which is often found theoretical consequences somehow committed with dogmatic and no dialogic postures, in the sense of a meaning analysis proposed by the classical Peircean pragmatism. (shrink)