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Aesthetics and Kinaesthetics1

In Horst Bredekamp & John Michael Krois (eds.), Sehen und Handeln. Akademie Verlag. pp. 99-113 (2011)

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  1. Extending the notion of affordance.Silvano Zipoli Caiani - 2014 - Phenomenology and the Cognitive Sciences 13 (2):275-293.
    Post-Gibson attempts to set out a definition of affordance generally agree that this notion can be understood as a property of the environment with salience for an organism’s behavior. According to this view, some scholars advocate the idea that affordances are dispositional properties of physical objects that, given suitable circumstances, necessarily actualize related actions. This paper aims at assessing this statement in light of a theory of affordance perception. After years of discontinuity between strands of empirical and theoretical research, the (...)
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  • Understanding Human–Technology Relations Within Technologization and Appification of Musicality.Kai Tuuri & Oskari Koskela - 2020 - Frontiers in Psychology 11.
    In this paper we outline a theoretical account of the relationship between technology and human musicality. An enactive and bio-cultural position is adopted that assumes a close coevolutionary relationship between the two. From this position we aim at clarifying how the present and emerging technologies, becoming embedded and embodied in our life-world, inevitably co-constitute and transform musical practices, skills, and ways of making sense of music. Therefore, as a premise of our scrutiny, we take it as a necessity to more (...)
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  • Enacting the aesthetic: A model for raw cognitive dynamics.Carlos Vara Sánchez - 2021 - Phenomenology and the Cognitive Sciences 21 (2):317-339.
    One challenge faced by aesthetics is the development of an account able to trace out the continuities and discontinuities between general experience and aesthetic experiences. Regarding this issue, in this paper, I present an enactive model of some raw cognitive dynamics that might drive the progressive emergence of aesthetic experiences from the stream of general experience. The framework is based on specific aspects of John Dewey’s pragmatist philosophy and embodied aesthetic theories, while also taking into account research in ecological psychology, (...)
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  • Empathy-Related Responses to Depicted People in Art Works.Ladislav Kesner & Jiří Horáček - 2017 - Frontiers in Psychology 8.
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  • The unaffordable and the sublime.Shaun Gallagher - 2022 - Continental Philosophy Review 55 (4):431-445.
    In this paper I examine a set of exceptional aesthetic experiences that remove us from our pragmatic everyday life and involve a specific type of unaffordability. I then extend this notion of unaffordability to experiences of awe and its relation to the sublime. My analysis is guided by considerations of the phenomenologically inspired enactivist approach that supports an affordance-based accounts of aesthetic experience. I review some recent neurophenomenological studies of the experience of awe, and I then sketch out a phenomenology (...)
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  • Prospecting performance: rehearsal and the nature of imagination.Shaun Gallagher & Zuzanna Rucińska - 2021 - Synthese 199 (1-2):4523-4541.
    In this paper we explore the notion of rehearsal as a way to develop an embodied and enactive account of imagining. After reviewing the neuroscience of motor imagery, we argue, in the context of performance studies, that rehearsal includes forms of imagining that involve motor processes. We draw on Sartre’s phenomenology of imagining which also suggests that imagining involves motor processes. This research in neuroscience and phenomenology, supports the idea of an embodied and enactive account of imagination.
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  • Enacting Media. An Embodied Account of Enculturation Between Neuromediality and New Cognitive Media Theory.Joerg Fingerhut - 2021 - Frontiers in Psychology 12.
    This paper argues that the still-emerging paradigm of situated cognition requires a more systematic perspective on media to capture the enculturation of the human mind. By virtue of being media, cultural artifacts present central experiential models of the world for our embodied minds to latch onto. The paper identifies references to external media within embodied, extended, enactive, and predictive approaches to cognition, which remain underdeveloped in terms of the profound impact that media have on our mind. To grasp this impact, (...)
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