Abstract

This paper proposes different approaches to design, referring to gambiarra practices and artifacts and their relation to complexity theory, evoking critical theorists that take undecidability into account in order to link gambiarra to operations that breed complexity and responsibility. The word gambiarra comes from Brazilian slang and describes an intervention or artifact meant to provide a provisory solution to an unexpected event or crisis. This kind of alternative design differs radically from conventional design because it does not come from formally trained, engineer-minded, projects. Instead, it lacks control, stability and durability. As it offers no permanent solution, it opens room for further accidents and is messy, especially if compared to a conservative model for creation that praises human predominance, soundness and efficiency. Therefore, gambiarra often has negative connotations that this analysis aims to challenge, by relating it to principles of complexity theory. Complexity theory is a transdisciplinary field for research aimed at the organization of living systems, with a vast understanding of networks and what life and govern are. It gathers insights from different disciplines to explore the interconnectivity between individuals, their systems and environment. It unveils how ambivalent information/noise relationships are fundamental for the increase of diversity in a system. It also displays the intelligent dynamics resulting from seemingly insignificant neighborhood relations that collectively make it possible to adapt and continuously change structures. With that in mind, the “deficient” aspect of gambiarra becomes more valuable, as it hints at a potential to generate new information and structures beyond entropic models that perpetuate the same logics across time. Michel Serres’s information theory presented in the book The Parasite is brought up in comparison to gambiarra, in order to explore the potential of interdependent ambiguous relationships that may not fit in dominant forms of discourse. Concomitantly, Vilém Flusser’s notion of responsibility reinforces the argument that a fabric of dynamic differences can emerge out of mutual engagement and indeterminacy. Underlying, this paper concerns with drafting ecological discourses and practices that can embrace contradictions and the plurality of worlds, noticing complex phenomena that have been pushed to the margins, while also decentralizing from hegemonic models. It questions the predominance of the prevailing design paradigm in the search for non-eurocentric and non-anthropocentric human-environment relationships and forms of provision of human needs.