- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
A Joint Prosodic Origin of Language and Music
Frontiers in Psychology 8 (2017)
Abstract
This article has no associated abstract. (fix it)Links
PhilArchive
External links
(no proxy)
Setup an account with your affiliations in order to access resources via your University's proxy server
Through your library
- Sign in / register and customize your OpenURL resolver
- Configure custom resolver
My notes
Similar books and articles
Prosodic Parallelism—Comparing Spoken and Written Language.Richard Wiese - 2016 - Frontiers in Psychology 7.
Production and Comprehension of Prosodic Markers in Sign Language Imperatives.Diane Brentari, Joshua Falk, Anastasia Giannakidou, Annika Herrmann, Elisabeth Volk & Markus Steinbach - 2018 - Frontiers in Psychology 9.
The Effect of Ambiguity Awareness on Second Language Learners’ Prosodic Disambiguation.Yuanyuan Zhang & Hongwei Ding - 2020 - Frontiers in Psychology 11.
The “Globularization Hypothesis” of the Language-ready Brain as a Developmental Frame for Prosodic Bootstrapping Theories of Language Acquisition.Aritz Irurtzun - 2015 - Frontiers in Psychology 6.
Basic auditory processing and sensitivity to prosodic structure in children with specific language impairments: a new look at a perceptual hypothesis.Ruth Cumming, Angela Wilson & Usha Goswami - 2015 - Frontiers in Psychology 6.
Prosodic hierarchy.Brechtje Post - 2011 - In Patrick Rebuschat, Martin Rohrmeier, John A. Hawkins & Ian Cross (eds.), Language and Music as Cognitive Systems. Oxford University Press. pp. 32.
Nils L. Wallin, Bjorn Merker and Steven Brown (ed.), The Origins of Music.V. Pickles - 2000 - Journal of Consciousness Studies 7 (7):94-95.
Prosodic Structure as a Parallel to Musical Structure.Christopher C. Heffner & L. Robert Slevc - 2015 - Frontiers in Psychology 6.
Prosodic Cues to Word Order: What Level of Representation?Carline Bernard & Judit Gervain - 2012 - Frontiers in Psychology 3.
Analytics
Added to PP
2017-10-31
Downloads
25 (#654,840)
6 months
9 (#355,374)
2017-10-31
Downloads
25 (#654,840)
6 months
9 (#355,374)
Historical graph of downloads
Citations of this work
Music as a coevolved system for social bonding.Patrick E. Savage, Psyche Loui, Bronwyn Tarr, Adena Schachner, Luke Glowacki, Steven Mithen & W. Tecumseh Fitch - 2021 - Behavioral and Brain Sciences 44:e59.
Human landscapes: contributions to a pragmatist anthropology.Roberta Dreon - 2022 - Albany: SUNY Press.
The (Co)Evolution of Language and Music Under Human Self-Domestication.Antonio Benítez-Burraco & Aleksey Nikolsky - 2023 - Human Nature 34 (2):229-275.
Spontaneous emergence of language-like and music-like vocalizations from an artificial protolanguage.Weiyi Ma, Anna Fiveash & William Forde Thompson - 2019 - Semiotica 2019 (229):1-23.
Vocal Parameters of Speech and Singing Covary and Are Related to Vocal Attractiveness, Body Measures, and Sociosexuality: A Cross-Cultural Study.Jaroslava Varella Valentova, Petr Tureček, Marco Antonio Corrêa Varella, Pavel Šebesta, Francisco Dyonisio C. Mendes, Kamila Janaina Pereira, Lydie Kubicová, Petra Stolařová & Jan Havlíček - 2019 - Frontiers in Psychology 10.
References found in this work
The descent of man, and selection in relation to sex.Charles Darwin - 1898 - New York: Plume. Edited by Carl Zimmer.
The expression of the emotions in man and animal.Charles Darwin - 1898 - Mineola, New York: Dover Publications.
Foundations of Language: Brain, Meaning, Grammar, Evolution.Ray Jackendoff - 2002 - Oxford University Press UK.
A Generative Theory of Tonal Music.Fred Lerdahl & Ray Jackendoff - 1987 - Journal of Aesthetics and Art Criticism 46 (1):94-98.
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-68866f4b87-dxklk uwo