Abstract

This article develops an analysis of Sophocles’ Oedipus Rex in relation to the mythological and literary-theatrical place the play holds in the history of psychoanalysis from Freud to Lacan, not to mention Foucault’s counter-psychoanalytic reading. How do we see the constitutive relation between this play and the Freudian complex? Does Lacanian psychoanalysis help illuminate the play as a tragedy of desire in alienation? The paper argues for a tragedy of desire’s Otherness in Sophocles’ play, showing how the parental alterity is configured in the shifting dynamics of paternal and maternal signifiers. Be it in the divine oracle or the chorus, the play accentuates the field of Other to activate the tragedy of desire and chanellizes it through affects like guilt, shame and self-reproach, inscribed on the subject’s body in the form of scopic and invocatory drives. The paper concludes by reflecting on the status of the unconscious as knowledge, complicating Foucault’s interpretation and presenting a tragedy of the desire-to-know that produces existence without desire as an experience of suffering.