Deleuze and Guattari differentiate between philosophy, science, and the arts - seeing each as a means of confronting chaos - and challenge the common view that philosophy is an extension of logic. The authors also discuss the similarities and distinctions between creative and philosophical writing. Fresh anecdotes from the history of philosophy illuminate this book, along with engaging discussions of composers, painters, writers, and architects.

A critical examination of the figure of Oedipus in psychoanalysis and Western culture as it relates to the history of society and capitalism.

La philosophie n'est ni contemplation, ni réflexion, ni communication. Elle est l'activité qui crée les concepts. Comment se distingue-t-elle de ses rivales, qui prétendent nous fournir en concepts? La philosophie doit nous dire quelle est la nature créative du concept, et quels en sont les concomitants : la pure immanence, le plan d'immanence, et les personnages conceptuels. Par là, la philosophie se distingue de la science et de la logique. Celles-ci n'opèrent pas par concepts, mais par fonctions, sur un plan (...) de référence et avec des observateurs partiels. L'art opère par percepts et affects, sur un plan de composition avec des figures esthétiques. La philosophie n'est pas interdisciplinaire, elle est elle-même une discipline entière qui entre en résonance avec la science et avec l'art, comme ceux-ci avec elle : trouver le concept d'une fonction, etc. C'est que les trois plans sont les trois manières dont le cerveau recoupe le chaos, et l'affronte. Ce sont les Chaoïdes. La pensée ne se constitue que dans ce rapport où elle risque toujours de sombrer. (shrink)

Schizoanalytic Cartographies represents Félix Guattari's most important later work and the most systematic and detailed account of his theoretical position and his therapeutic ideas. Guattari sets out to provide a complete account of the conditions of 'enunciation' - autonomous speech and self-expression - for subjects in the contemporary world. Over the course of eight closely argued chapters, he presents a breathtakingly new reformulation of the structures of individual and collective subjectivity. Based on research into information theory and new technologies, Guattari (...) articulates a vision of a humanity finally reconciled with its relationship to machines. Schizoanalytic Cartographies is a visionary yet highly concrete work, providing a powerful vantage point on the upheavals of our present epoch, powerfully imagining a future 'post-media' era of technological development. This long overdue translation of this substantial work offers English-speaking readers the opportunity finally to fully assess Guattari's contribution to European thought. (shrink)

An early work that lays the foundation for establishing a “polemical” dimension to psychoanalysis. We certainly have the unconscious that we deserve, an unconscious for specialists, ready-made for an institutionalized discourse. I would rather see it as something that wraps itself around us in everyday objects, something that is involved with day-to-day problems, with the world outside. It would be the possible itself, open to the socius, to the cosmos...—from The Machinic Unconscious: Essays in Schizoanalysis In his seminal solo-authored work (...) The Machinic Unconscious, Félix Guattari lays the groundwork for a general pragmatics capable of resisting the semiotic enslavement of subjectivity. Concluding that psychoanalytic theory had become part and parcel of a repressive, capitalist social order, Guattari here outlines a schizoanalytic theory to undo its capitalist structure and set the discipline back on its feet. Combining theoretical research from fields as diverse as cybernetics, semiotics, ethnology, and ethology, Guattari reintroduces into psychoanalysis a “polemical” dimension, at once transhuman, transsexual, and transcosmic, that brings out the social and political—the “machinic”—potential of the unconscious. To illustrate his theory, Guattari turns to literature and analyzes the various modes of subjectivization and semiotization at work in Proust's In Search of Lost Time, examining the novel as if he were undertaking a scientific exploration in the style of Freud or Newton. Casting Proust's figures as abstract mental objects, Guattari maps the separation between literature and science, elaborating along the way such major Deleuze-Guattarian concepts as “faciality” and “refrain,” which would be unpacked in their subsequent A Thousand Plateaus: Capitalism and Schizophrenia. Never before available in English, The Machinic Unconscious has for too long been the missing chapter from Deleuze and Guattari's Anti-Oedipus project: the most important political extension of May 1968 and one of the most important philosophical contributions of the twentieth century. (shrink)

Notes and journal entries document Guattari and Deleuze's collaboration on their 1972 book Anti-Oedipus. "The unconscious is not a theatre, but a factory," wrote Gilles Deleuze and Félix Guattari in Anti-Oedipus, instigating one of the most daring intellectual adventures of the last half-century. Together, the well-known philosopher and the activist-psychiatrist were updating both psychoanalysis and Marxism in light of a more radical and "constructivist" vision of capitalism: "Capitalism is the exterior limit of all societies because it has no exterior limit (...) itself. It works well as long as it keeps breaking down."Few people at the time believed, as they wrote in the often-quoted opening sentence of Rhizome, that "the two of us wrote Anti-Oedipus together." They added, "Since each of us was several, that became quite a crowd." These notes, addressed to Deleuze by Guattari in preparation for Anti-Oedipus, and annotated by Deleuze, substantiate their claim, finally bringing out the factory behind the theatre. They reveal Guattari as an inventive, highly analytical, mathematically-minded "conceptor," arguably one of the most prolific and enigmatic figures in philosophy and sociopolitical theory today. The Anti-Oedipus Papers are supplemented by substantial journal entries in which Guattari describes his turbulent relationship with his analyst and teacher Jacques Lacan, his apprehensions about the publication of Anti-Oedipus and accounts of his personal and professional life as a private analyst and codirector with Jean Oury of the experimental clinic Laborde. (shrink)

Gilles Deleuze and Felix Guattari redefine the relation between the state and its war machine. Far from being a part of the state, warriers are nomads who always come from the outside and keep threatening the authority of the state. In this daring essay inspired by Nietzsche, Gilles Deleuze and Felix Guattari redefine the relation between the state and its war machine. Far from being a part of the state, warriers are nomads who always come from the outside and keep (...) threatening the authority of the state. In the same vein, nomadic science keeps infiltrating royal science, undermining its axioms and principles. Nomadology is a speedy, pocket-sized treatise that refuses to be pinned down. Theorizing a dynamic relationship between sedentary power and "schizophrenic lines of flight," this volume is meant to be read in transit, smuggled into urban nightclubs, offices, and subways. Deleuze and Guattari propose a creative and resistant ethics of becoming-imperceptible, strategizing a continuous invention of weapons on the run. An anarchic bricolage of ideas uprooted from anthropology, aesthetics, history, and military strategy, Nomadology carries out Deleuze's desire to "leave philosophy, but to leave it as a philosopher.". (shrink)

Molecular Revolution in BrazilFélix Guattari and Suely Rolniktranslated by KarelClapshow and Brian HolmesYes, I believe that there is a multiple people, a people of mutants, apeople of potentialities that appears and disappears, that is embodied in social, literary, andmusical events.... I think that we're in a period of productivity, proliferation, creation, utterlyfabulous revolutions from the viewpoint of this emergence of a people. That's molecular revolution:it isn't a slogan or a program, it's something that I feel, that I live....--from MolecularRevolution in (...) BrazilFollowing Brazil's first democratic election after two decades of militarydictatorship, French philosopher Félix Guattari traveled through Brazil in 1982 with Brazilianpsychoanalyst Suely Rolnik and discovered an exciting, new political vitality. In the infancy of itsnew republic, Brazil was moving against traditional hierarchies of control and totalitarian regimesand founding a revolution of ideas and politics. Molecular Revolution in Brazil documents theconversations, discussions, and debates that arose during the trip, including a dialogue betweenGuattari and Brazil's future President Luis Ignacia Lula da Silva, then a young gubernatorialcandidate. Through these exchanges, Guattari cuts through to the shadowy practices of globalizationgone awry and boldly charts a revolution in practice.Assembled and edited by Rolnik, MolecularRevolution in Brazil is organized thematically; aphoristic at times, it presents a lesser-known,more overtly political aspect of Guattari's work. Originally published in Brazil in 1986 asMicropolitica: Cartografias do desejo, the book became a crucial reference for political movementsin Brazil in the 1980s and 1990s. It now provides English-speaking readers with an invaluablepicture of the radical thought and optimism that lies at the root of Lula's Brazil. Félix Guattari, post-'68 French psychoanalyst and philosopher, is the author of Anti-Oedipus, The Anti-Oedipus Papers, 2006), and other books. Semiotext haspublished the first two volumes of his complete essays, Chaosophy and Soft Subversions, and will publish the final volume, Chaos and Complexity, in 2008. Suely Rolnik is apsychoanalyst, cultural critic, and curator who lives and works in São Paulo, Brazil. She was aclose collaborator of Guattari during her exile in Paris from the military dictatorship inBrazil. (shrink)

A new, expanded, and reorganized edition of a collection of texts that present a fuller scope to Guattari's thinking from 1977 to 1985. This new edition of Soft Subversions expands, reorganizes, and develops the original 1996 publication, offering a carefully organized arrangement of essays, interviews, and short texts that present a fuller scope to Guattari's thinking from 1977 to 1985. This period encompasses what Guattari himself called the “Winter Years” of the early 1980s—the ascent of the Right, the spread of (...) environmental catastrophe, the rise of a disillusioned youth with diminished prospects for career and future, and the establishment of a postmodernist ideology that offered solutions toward adaptation rather than change—a period with discernible echoes twenty years later. Following Semiotext's release last season of the new, expanded edition of Chaosophy: Texts and Interviews 1972–1977, this book makes Guattari's central ideas and concepts fully available in the format that had been best suited to Guattari's temperament: the guerrilla-styled intervention of the short essay and interactive dialogue. This edition includes such previously unpublished, substantive texts as “Institutional Intervention” and “About Schools,” along with new translations of “War, Crisis, or Life” and “The Nuclear State,” interviews and essays on a range of topics including adolescence and Italy, dream analysis and schizo-analysis, Marcel Proust and Jimmy Carter, as well as invaluable autobiographical documents such as “I Am an Idea-Thief” and “So What.”. (shrink)

First delivered in French by Deleuze at the "Schizo-Culture" conference organized by Semiotext at Columbia University in 1975, "Rhizome" introduced a new kind of thinking in philosophy, both non-dialectical and non-hierarchical. The two didn't expect this neo-anarchical blue-print would eventually offer an early template for the understanding of the internet. "Rhizome" substitutes pragmatic, "couch grass," free-floating logic to the binary, oppositional, and exclusive model of the tree. In "Politics," superceding the Marxist concept of class, Deleuze envisages the social macrocosm as (...) a series of lines, and reinvent politics as a process of flux whose outcome will always be unpredictable. It is, he emphasizes, the end of the idea of revolution, but not of the "becoming revolutionary.". (shrink)

"The texts and interviews collected in Chaosophy were written in the wake of May '68. They elaborate on the groundbreaking theories of capitalism and schizophrenia that Felix Guattari introduced with Gilles Deleuze in Anti-Oedipus in 1972, one of the most important books of our time. Boldly rewriting Marx's vision of capitalism in terms of schizophrenic flows, Guattari substituted the Freudian interpretation of neurosis with the model of "schizoanalysis," advocating a more pragmatic, experimental, and collective approach to mental phenomena that opened (...) the way to a micropolitical subversion of the capitalist system."--BOOK JACKET. (shrink)

This chapter contains section titled: Functives and Concepts.

This short document, appearing for the first time in English translation, concerns the prospects of a made-for-television cultural mini-series inspired by select episodes in Kafka's works. A window is opened onto Guattari's curatorial ambitions, cinematic projects, and theory of minor cinema, bringing into focus how he translated theoretical preoccupations into the cultural sector with reference to diverse semiotic media.

« The vertigo of an alternative Japanese path: Tokyo renounces its role as Eastern capital of occidental capitalism and becomes instead, the Northern capital of the emancipation of the Third World. ».

Félix Guattari visited Japan on a number of occasions during the 1980s. These visits consisted of invited lectures and a series of conversations and collaborations with Japanese intellectuals, artists, and architects. His collaborative writings with Deleuze, particularly the Kafka and Rhizome books, began to appear in Japanese translation in the late 1970s. By the mid-eighties, however, Anti-Oedipus was available for Japanese readers. The year 1985 saw the publication of Guattari's conversations and co-authored papers with Japanese dancer Min Tanaka collected under (...) the title of Velocity of Light, Fire of Zen: Assemblage 1985. This was followed in 1986 with the translation of Guattari's jointly authored volume with Antonio Negri, Les nouveaux espaces de liberté. In the same year, the colourful volume Tokyo Theatre: Guattari in Tokyo appeared. This volume includes the present translation. It also contains multiple contributions by leading Japanese intellectuals, especially ‘neo-academicist’ types like Akira Asada who were inspired by Deleuze and Guattari's philosophy in the first two volumes of Capitalism and Schizophrenia. (shrink)

This dialogue took place at the beginning of the process through which Lula became president of Brazil. It analyses the empowerment capacity of the Workers’ Party: it is made of collective discussion and free speech, working class embedding, openness to the whole society, welcome to minorities, respect and distance front other parties, sense of uniqueness. The French socialist party lacks those qualities, which one could, find also in Solidarnosc.

Information and control technologies are not only on the order of the technosciences, but also intervene in the production of subjectivity. One cannot separate these transformations from the political upheavals that are underway. The primacy of information as a new category alongside that of energy accentuates the production of new subjectivities and may transform society into a society of communication. But this concept is not enough, unless it is associated with an « existential function » that can account for the (...) overall disorientation of subjective coordinates. The problem of subjective recompositions should be posed by a reorientation of the processes of information, telematization, etc., according to other value systems on the level of mental ecology, all the way to planetary scales. We are copilots with nature in context. The amazing aspect of this symbiosis is the radical transformation of the relationships between the two. Ecology is a great turning-point, on the condition that it be joined to the social and economic dimensions, along with every form of otherness, to create a soft ideology that leaves room for new knowledge. (shrink)