Abstract

The critical analysis of desire is a staple of classical Buddhist thought; however, modern scholarship has focused primarily on doctrinal and scholastic texts that explain the Buddhist understanding of desire. As a result, the contribution of _kāvya_ (poetry) to the classical Buddhist philosophy of desire has not received much scholarly attention. To address this dearth, I explore in this article the notion of _kāma_ (desire or love) in Aśvaghoṣa’s epic poem, the _Saundarananda_ (_Beautiful Nanda_). I begin by framing the poem’s Buddhist interpretation of desire and highlighting the didactic and transcendental role of _kāma_ in transforming Nanda, the poem’s protagonist. Then, I examine Aśvaghoṣa’s poetic depictions of Nanda, Sundarī, and the _apsaras_es, outlining the _Saundarananda_’s phenomenology of desire. Overall, this article illustrates how Aśvaghoṣa employs the genre of _kāvya_ to express a Buddhist critique of desire that focuses on the nature of the desirable object and the state of mind of the desirous subject.