The Ontology of Musical Versions: Introducing the Hypothesis of Nested Types

Journal of Aesthetics and Art Criticism 77 (3):241-254 (2019)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

DOI

10.1111/jaac.12651

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 83,890

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Musical Works’ Repeatability, Audibility and Variability: A Dispositional Account.Nemesio García-Carril Puy - 2019 - Filozofija I Društvo 30 (1):54-72.
Music and metaphysics.Saam Trivedi - 2008 - Metaphilosophy 39 (1):124–143.
The ontology of musical works: A philosophical pseudo-problem.James O. Young - 2011 - Frontiers of Philosophy in China 6 (2):284-297.
Paganini Does Not Repeat. Musical Improvisation and the Type/Token Ontology.Alessandro Bertinetto - 2012 - Teorema: International Journal of Philosophy 31 (3):105-126.
Platonizm skrajny Juliana Dodda.Robert Koszkało - 2012 - Filo-Sofija 12 (18).
Types, continuants, and the ontology of music.Julian Dodd - 2004 - British Journal of Aesthetics 44 (4):342-360.
Piece for the end of time: In defence of musical ontology.Andrew Kania - 2008 - British Journal of Aesthetics 48 (1):65-79.
Piece for the End of Time: In Defence of Musical Ontology: Articles.Andrew Kania - 2008 - British Journal of Aesthetics 48 (1):65-79.
Musical ontology. Sounds, instruments and works of music / Julian Dodd ; Doing justice to musical works / Michael Morris ; Versions of musical works and literary translations.Stephen Davies - 2007 - In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
Are Musical Works Sound Structures?Vitor Guerreiro - 2019 - Filozofija I Društvo 30 (1):36-53.
On Evolutionary Explanations of Musical Expressiveness.Matteo Ravasio - 2018 - Evental Aesthetics 7 (1):6-29.
"Tristan": The Prelude, the Chord, and the Implications. Postlude to a Musicological Conundrum.Lajos Zeke - 1999 - Dissertation, University of Miami
New waves in musical ontology.Andrew Kania - 2008 - In Kathleen Stock & Katherine Thomson-Jones (eds.), New Waves in Aesthetics. Palgrave-Macmillan. pp. 20--40.
Every Performance Is a Stage: Musical Stage Theory as a Novel Account for the Ontology of Musical Works.Caterina Moruzzi - 2018 - Journal of Aesthetics and Art Criticism 76 (3):341-351.
Musical Perdurantism and the Problem of Intermittent Existence.Alexey Aliyev - 2017 - Grazer Philosophische Studien 94 (1-2):83-100.

Analytics

Added to PP
2019-08-05

Downloads
24 (#511,650)

6 months
4 (#198,578)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Citations of this work

Intuitions in the Ontology of Musical Works.Elzė Sigutė Mikalonytė - 2022 - Review of Philosophy and Psychology 13 (2):455-474.
Nested Types and Musical Versions: Replying to Davies’s Challenges.Nemesio García-Carril Puy - 2021 - Journal of Aesthetics and Art Criticism 79 (2):256-260.
Puy on ‘Nested Types’.David Davies - 2021 - Journal of Aesthetics and Art Criticism 79 (2):251-255.

View all 12 citations / Add more citations

References found in this work

Counterfactuals.David Lewis - 1973 - Philosophy of Science 42 (3):341-344.
Aesthetic Concepts.Frank Sibley - 1959 - Philosophical Review 68 (4):421-450.
What a musical work is.Jerrold Levinson - 1980 - Journal of Philosophy 77 (1):5-28.
Against structural universals.David K. Lewis - 1986 - Australasian Journal of Philosophy 64 (1):25 – 46.
Artworks as historical individuals.Guy Rohrbaugh - 2003 - European Journal of Philosophy 11 (2):177–205.

View all 15 references / Add more references