Abstract

In this essay, I first argue that the Gray’s Elegy Argument—the dense passage in Bertrand Russell’s ‘On Denoting’—can be interpreted as a single, coherent argument against the notion that a definite description corresponds to what I call a multifaceted object—an object having multiple facets or sides. I then look into some manuscripts Russell wrote in 1904 and in 1905. I show that he had envisaged the notion of a multifaceted object and used it for two different purposes before he discovered various objections to it, which he turned into the Gray’s Elegy Argument.