Abstract
This essay explores the work of both Paul Ricoeur and Luce Irigaray particularly in regard to their appeal to imagination and imaginary constructs as ways of introducing change in thought and action. While metaphor is at the heart of Ricoeur’s theory, Irigaray eschews metaphor – at least consciously. Nevertheless, there are a number of fruitful ways that their work can be compared and contrasted, especially on the question of the other, and the concept of recognition
Keywords Imagination, Metaphor, Women, The Other, Recognition  L'imagination, La métaphore, La femme, L'autre, La reconnaissance
Categories (categorize this paper)
DOI 10.5195/errs.2013.174
Options
Edit this record
Mark as duplicate
Export citation
Find it on Scholar
Request removal from index
Revision history

Download options

PhilArchive copy


Upload a copy of this paper     Check publisher's policy     Papers currently archived: 56,016
Through your library

References found in this work BETA

No references found.

Add more references

Citations of this work BETA

Add more citations

Similar books and articles

The Two Subjects’ Dialectics in Luce Irigaray’s Philosophy.Ieva Lapinska - 2008 - Proceedings of the Xxii World Congress of Philosophy 25:45-53.
The Subject of Critique: Ricoeur in Dialogue with Feminist Philosophers.Annemie Halsema - 2013 - Études Ricoeuriennes / Ricoeur Studies 4 (1):21-39.
Questions to Luce Irigaray.Kate Ince - 1996 - Hypatia 11 (2):122 - 140.
Irigaray's Body Symbolic.Margaret Whitford - 1991 - Hypatia 6 (3):97 - 110.

Analytics

Added to PP index
2013-06-29

Total views
26 ( #397,390 of 2,403,696 )

Recent downloads (6 months)
2 ( #360,211 of 2,403,696 )

How can I increase my downloads?

Downloads

My notes